Art, Risk, and the African Hospitality Equation
A recurring theme was risk — not merely the economic kind, but the layered geopolitical and regulatory uncertainties that impact investor perception. As Oussama El Kadiri from Knight Frank noted, “Volatility does mean risk.” This sentiment is deeply familiar to anyone in the art world. As Art Collecting Today puts it: “Value is contextual. Rarity alone does not create desirability—market readiness does.”
Bay Street has recently hosted discussions with prominent art families from Lagos, Nairobi, and Cape Town who are considering licensing regional art collections to local hotel developers. The synergy is potent: culturally rooted aesthetic capital elevates guest experience, while international artists from the diaspora gain footholds in global commercial narratives. These conversations have highlighted that just as hospitality projects need innovative financing structures, so too does art placement require contextual infrastructure — curatorial integrity, operational excellence, and brand alignment.
The Sectional Title Model: Fragmented Ownership as a Creative Capital Strategy
Radisson’s application of the sectional title ownership model in Cape Town (eight owners, one luxury hotel) reveals a truth familiar to art dealers and collectors alike: when liquidity is scarce, structure is strategy. Management of Art Galleries speaks to this directly: “Galleries thrive when they move from being mere exhibitors to financial engineers, forging syndicates and investment vehicles that reduce exposure without sacrificing aesthetic authority.”
This concept of co-investment mirrors the syndication model Bay Street uses to help investors gain access to top-tier hospitality operators globally. Our meetings with family offices across Francophone West Africa indicate growing appetite for asset-backed alternatives that simultaneously produce impact and yield. Hotels, when structured as revenue-generating cultural vessels, can do both.
Conversions Over Ground-Up: The Quantamental Appeal
The push toward conversions instead of new builds is not just a capital-saving strategy — it’s a quantamental signal. Data from W Hospitality shows 304 new hotel projects projected for 2025-26, with major brands like Marriott, Hilton, and Accor shifting toward conversions to reduce execution risk. These projects, often underwritten with lower upfront development costs and faster time-to-market, score highly on Bay Street’s Risk-Adjusted IRR filter.
As we incorporate hospitality-focused macro indicators such as FX drag, import dependency, and sovereign credit spreads into our scoring engine, we find that conversions in markets like DRC, Morocco, and Ghana consistently outperform speculative ground-up builds.
Dollarized Economies and Replicable Frameworks
The Democratic Republic of Congo stands out as a uniquely promising environment, particularly because of its dollarized economy. The ability to repatriate capital without friction is a major quant screen advantage. As Khalil Manji of CHIC noted, markets like Angola – which lack this mechanism – require capital backup strategies, which tend to dilute equity returns.
Bay Street is now exploring a replicable framework for “high-touch frontier market hospitality.” It blends:
Bay Street’s Next Step: A Living Term Sheet for Africa
Our next meetings in Nairobi and Casablanca will focus on co-developing a “Living Term Sheet” for high-barrier African markets — one that quantifies underwriting thresholds and overlays qualitative signals, such as local artist partnerships and operator track records.
Ultimately, what emerges in Africa is not simply a story of capital gaps, but of creative responses to constraint. As in art, the boundaries themselves shape the beauty of the final work. Or, as Art Collecting Today reminds us: “In the absence of liquidity, narrative becomes currency.”
We believe Africa’s best hospitality projects will be those that tell powerful stories, with financing structures to match—and Bay Street is ready to underwrite both.
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